Bozeman Symphony Gives World Premiere of The Last Best Place

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Lee’s The Last Best Place opened the Bozeman Symphony’s first concert weekend of the 2021/22 season, sharing the program with Barber’s Cello Concerto and Tchaikovsky’s 4th Symphony. The work was commissioned as part of Lee’s role as the orchestra’s first-ever Composer-In-Residence, and was inspired by the city of Bozeman. The weekend included two performances with over 1,400 in the audience, along with over 1,700 viewers for the livestream.

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Spokane Public Radio Feature

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Lee was featured on Spokane Public Radio’s Northwest Arts Review, where he and host Jim Tevenan discussed his new Composer in Residence position with the Bozeman Symphony. Their conversation delves into Lee’s compositional background, influences, and eclectic musical language, finishing with an excerpt of Lee’s Through the Mangrove Tunnels.

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New Current Commotion Series

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As the Bozeman Symphony’s Composer-in-Residence, Lee co-curated (alongside Music Director Norman Huynh) this new series, the first of its kind in Bozeman, which explores contemporary music in a creative and accessible way. Current Commotion marked the Bozeman Symphony’s inaugural performance at the Rialto, a music venue on Main Street in the center of Bozeman’s bustling downtown district. The program, featuring Lee’s Hurry Up and Wait alongside other exciting pieces of new music, was presented in a cabaret-style format featuring Bozeman Symphony orchestra musicians, and was live-streamed online.

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March Album Reviews

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This month Through the Mangrove Tunnels was reviewed by Take Effect and featured in Avant Music News’ Picks of the Week. Giving the album a 8/10, Take Effect described it as “a listen that’s capable of being both dark yet ethereal.” “Lee’s unconventional approach to harmonies and bold approach to songwriting might be quite complicated, but it’s also easily accessible to those willing to embark on the journey.”

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Lee’s Piano Trio to be Premiered on Cultivated Spaces Series on April 20.

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Copland House announces the debut of a new six-program virtual series called Cultivated Spaces, featuring the World Premieres of all the new works Copland House commissioned for its CULTIVATE 2020 emerging composers institute. Each Cultivated Spaces livestream spotlights one of CULTIVATE’s six 2020 Fellows and their work in a complete performance by the Music from Copland House ensemble, “one of the leading champions of contemporary music” (Louisville Weekly). Each program begins with a brief introduction by the featured composer, who returns for a lively post-performance conversation with CULTIVATE’s Director, Grammy-nominated composer-clarinetist Derek Bermel. The free, 25- to 30-minute programs, were filmed at Merkin Hall in Manhattan, and are accessible at ICareIfYouListen.tv. Lee’s Between the Lines will premiere on April 20.

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February Album Reviews

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Through the Mangrove Tunnels was reviewed this month by BBC Music Magazine and the Whole Note. Giving the album 4/5 stars, BBC Music Magazine describes the album as “a knotty, discombobulating adventure.” Cheryl Ockrant of the Whole Note praises the album as “a welcome escape from my own four walls. This album is great storytelling, an audiofilm of tales of imaginative discoveries… I was captivated.” “Lee manages to engage the listener with his blend of contemporary classical and extended jazz techniques, travelling seamlessly between tonalities and poly-rhythmic styles without a single extraneous or gratuitous beat. Each track is expertly crafted to tell a tale of mystery.” “Gorgeous composition.”

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Bozeman Symphony names Lee 2021-22 Composer-in-Residence

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The Bozeman Symphony presents Scott Lee as its first-ever Composer-in-Residence. During his residency starting in May 2021, Lee is commissioned by the Symphony to write a piece inspired by the unique spirit and energy of Bozeman that will open the much-anticipated 2021-2022 concert season. In addition to a world premiere piece, Lee will engage with the community through multiple virtual events in February 2021, and in-person events throughout the 2021-22 season.

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January Album Reviews

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Reviews for Through the Mangrove Tunnels this month come from WIRE Magazine and Textura. Vanessa Ague describes the album in WIRE Magazine (UK) as “compelling…[striking] a balance between catchy grooves and dissonance.” Textura praises the album as a “vivid and highly personal evocation” that is “both impressionistic and programmatic.” The Australian music blog The Blurb also featured the album in its weekly “selection of the best new music.”

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December Album Reviews

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Through the Mangrove Tunnels was reviewed this month by AllMusic.com and An Earful. Giving the album 4/5 stars, AllMusic’s James Manheim says, “the musical construction is eclectic, to be sure, but also logically put together, and overall, this is an exciting work that is both rigorously contemporary and fully accessible.” An Earful praised the album on its Best of 2020: Classical list as “delightful and highly original music” that is “a cinematic blast from start to finish.”

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Tampa Bay Times Feature

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Appearing as the cover of Sunday’s Floridian section, the feature article delves into the inspiration behind Scott Lee’s album Through the Mangrove Tunnels, which was released on November 13th. Christopher Spata calls the album’s title track “ethereal,” evoking “a sense of gliding over the water beneath the arching mangrove canopy.” He remarks that the “epic” Ballad of Willie Cole “has a wide, narrative scope with moments of chaos, intense unease and sorrow.”

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