Named the Bozeman Symphony's first-ever Composer-in-Residence, Lee has been commissioned to write a piece inspired by Bozeman and will engage with the community in events throughout the 2021-22 season.


Commissioned by Copland House CULTIVATE, Lee's newest chamber work Between the Lines will be premiered April 27th on Cultivated Spaces, a new series on, which will feature Lee in an intro & interview.


Inspired by his experiences growing up exploring the swamps and bayous of Florida, Lee’s debut album features the JACK Quartet, Steven Beck, and Russell Lacy performing eight genre-straddling movements.

March 12, 2021

This month Through the Mangrove Tunnels was reviewed by Take Effect and featured in Avant Music News’ Picks of the Week. Giving the album a 8/10, Take Effect described it as “a listen that’s capable of being both dark yet ethereal.” “Lee’s unconventional approach to harmonies and bold approach to songwriting might be quite complicated, but it’s also easily accessible to those willing to embark on the journey.”

February 20, 2021

Through the Mangrove Tunnels was reviewed this month by BBC Music Magazine and the Whole Note. Giving the album 4/5 stars, BBC Music Magazine describes the album as "a knotty, discombobulating adventure." Cheryl Ockrant of the Whole Note praises the album as “a welcome escape from my own four walls. This album is great storytelling, an audiofilm of tales of imaginative discoveries... I was captivated." "Lee manages to engage the listener with his blend of contemporary classical and extended jazz techniques, travelling seamlessly between tonalities and poly-rhythmic styles without a single extraneous or gratuitous beat. Each track is expertly crafted to tell a tale of mystery." "Gorgeous composition.”

January 17, 2021

Reviews for Through the Mangrove Tunnels this month come from WIRE Magazine and Textura. Vanessa Ague describes the album in WIRE Magazine (UK) as “compelling…[striking] a balance between catchy grooves and dissonance.” Textura praises the album as a “vivid and highly personal evocation” that is “both impressionistic and programmatic.” The Australian music blog The Blurb also featured the album in its weekly “selection of the best new music.”

December 31, 2020

Through the Mangrove Tunnels was reviewed this month by and An Earful. Giving the album 4/5 stars, AllMusic’s James Manheim says, “the musical construction is eclectic, to be sure, but also logically put together, and overall, this is an exciting work that is both rigorously contemporary and fully accessible.” An Earful praised the album on its Best of 2020: Classical list as “delightful and highly original music” that is “a cinematic blast from start to finish.”

December 6, 2020

Appearing as the cover of Sunday’s Floridian section, the feature article delves into the inspiration behind Scott Lee’s album Through the Mangrove Tunnels, which was released on November 13th. Christopher Spata calls the album’s title track “ethereal,” evoking “a sense of gliding over the water beneath the arching mangrove canopy.” He remarks that the “epic” Ballad of Willie Cole “has a wide, narrative scope with moments of chaos, intense unease and sorrow.”

November 22, 2020

Reviews for Through the Mangrove Tunnels this month come from Midwest Record, which praises the album as “great stuff for when you've got a taste for something deep that won't leave you cold” and the Art Music Lounge, which describes it an “interesting album, full of novel ideas” and “extremely fascinating.”

November 20, 2020

Reporter Josh Bradley declares that Lee’s recently released album, Through the Mangrove Tunnels, “perfectly captures the enigmatic essence of St. Pete’s Weedon Island”.

November 16, 2020

Toby Moisey interviews Lee about his new album, Through the Mangrove Tunnels, chatting about Lee’s memories of growing up exploring the swamps and bayous of Florida and the histories of Weedon Island. Following the interview the album is played in its entirety. The radio show airs on Smithers Community Radio CICK 93.9 and Whitehorse Community Radio CJUC 92.5.